Phenomenon

I watched this new show called Phenomenon on Wednesday. Basically, it’s American Idol with magicians (mentalists, to be specific). Criss Angel plays the part of Simon Cowell, and Uri Geller plays the part of Paula Abdul.

First of all, I loved the show. It’s all done live (supposedly), which gives it a realistic feeling that you don’t get with a lot of modern magic on TV (e.g., Mindfreak or David Blaine’s specials). The guy with the nailgun was particularly intense; you know he probably won’t screw it up, but just knowing there’s a small chance he’ll puncture his brain on live television is enough to keep it interesting. The bear trap guy was less impressive. Dude, you didn’t even hide the fact that you switched the trap. And are you in pain or not? At least keep your act consistent.

But there is a degree of confusion in this show that sorta pisses me off. On one hand, there’s Uri Geller there, who claims to have “real” psychic abilities. In the introductions to the contestants, some of them told stories about sensing the death of a loved one, or whatever. The show seems to foster the belief that these people really do read minds.

On the other hand, Criss Angel is there. I think Criss Angel is awesome. If you watch carefully, you see that his approach is actually quite skeptical. On his show, he sometimes reveals how he did his tricks. He refers to his feats as “illusions” or “demonstrations”, and never claims to have any supernatural abilities. I think this was epitomized in one episode of Mindfreak, when he spent the entire episode putting on a seance and freaking people out by having them see and feel ghosts. At the very end of the show, he said something like “so do you believe in ghosts now? I don’t.” Nice. On Phenomenon, these people are illusionists; what they do is amazing, but not supernatural. They can make it look like they are reading minds, but they are not. It’s awe-inspiring in a similar manner to really good special effects in a movie. You almost believe it’s real, but you know it’s not.

Phenomenon can’t decide if it’s trying to amaze us by tricking us into thinking it’s real, or by showing us really good performances by people who we know are trying to trick us. Now, you know I’m not one to completely dismiss psychic phenomena. There’s something to them, and they’re worth researching scientifically. But nobody in their right mind is going to believe that flawless mindreading is going to happen on a reality show (nor any other silly game). I’d be more impressed if the show was up front about that.

My guess is that Uri Geller prevents it. He wants people to believe that stage magic is a genuine demonstration of psychic abilities, so that his own stage magic thrives. The dude does some impressive stuff, but come on, he can’t really bend spoons with his mind. Again, with him, I’d be more impressed if he didn’t put on the whole “everything I do is because I’m actually psychic” act. He did a demonstration of his “abilities” live on the show, by having the audience choose a symbol (one of the five Zener card symbols) that he had sealed in an envelope. It just barely worked out – and hey Uri, any chance you always pick the star in demonstrations like this? How about randomly selecting the symbol next time?

Anyway, like I said, loved the show, but I do wish it wouldn’t perpetuate the myth that stage mentalism and “real” paranormal phenomena are the same, or even related. I have a long standing interest in both, but they are completely separate things.

Bonus fact: Uri Geller designed the logo for *N Sync. It must have taken all his psychic energy to conjure up a star to put in front of the band’s name. Oh hey! Maybe it’s related to the fact that most people out of any randomly selected group will choose a star over other symbols. Well played, Uri.

Capital Idea


I was reading a charming little article at New Scientist, called “How Does it Feel to Die?”, and came across the following passage:

Despite the public boasting of several prominent executioners in late 19th-century Britain, a 1992 analysis of the remains of 34 prisoners found that in only about half of cases was the cause of death wholly or partly due to spinal trauma. Just one-fifth showed the classic “hangman’s fracture” between the second and third cervical vertebrae. The others died in part from asphyxiation.

Michael Spence, an anthropologist at the University of Western Ontario in London, Canada, has found similar results in US victims. He concluded, however, that even if asphyxiation played a role, the trauma of the drop would have rapidly rendered all of them unconscious. “What the hangmen were looking for was quick cessation of activity,” he says. “And they knew enough about their craft to ensure that happened. The thing they feared most was decapitation.”

I’m so proud of my school. If it weren’t for this fine Western scholar, we’d all lie awake at night worrying about whether hanging victims were conscious while they were strangled to death.

Hanging ain’t so bad after all. Crime, here I come.

We Got a New Camera

So this is a photo-blog now.

The camera is a Canon Powershot SD750 and it’s very nice. It can recognize human faces and focus on them, just like The Terminator. It has not, however, killed anybody or time traveled. Yet.

I don’t like people much, though, so I only take pictures of dogs.

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Cuuuute!

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Cuuuuuuute!

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SUPER CUTE!

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AHHH!! WHAT THE FUCK!!!